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What I meant is REFERENCES RESEARCH from 2005. MORE ACCURATELY WORDED.

BOTH OF THESE PDF DOCUMENTS are dated from 2005.

IP Address: 2601:282:804:a790:f473:114a:2ab2:35da

I WAS HOWEVER -- if you want to call it -- FLOODING the group -- only AFTER YOU INDECRIMINATLY REMOVED MY COMMENTS in so as they are approrpriate --- UNJUSTLY REMOVED THEM. I WAS ONLY EFFECTIVELY ARUEING MY POINT OF VIEW WITH I AGREE A FLOOD OF LINKED IN OBJECTS FROM THE WEB ... SO AS TO PROVIDE EXTERNAL REFERENCES FOR YOUR OWN PERSPECTIIVE.

spam
spam/
noun
noun: spam; plural noun: spams; noun: Spam

1.
irrelevant or inappropriate messages sent on the Internet to a large number of recipients.
unwanted or intrusive advertising on the Internet.
"an autogenerated spam website"
2.
trademark
a canned meat product made mainly from ham.

verb
verb: spam; 3rd person present: spams; past tense: spammed; past participle: spammed; gerund or present participle: spamming

1.
send the same message indiscriminately to (large numbers of recipients) on the Internet.

Origin

AND ACCORDING TO THE DEFINTION OF SPAM FOUND AT GOOGLE , I WAS NOT SPAMMING YOUR GROUP ---

Have you LINKED TO AND READ THIS EMAIL?

IP Address: 2601:282:804:a790:f473:114a:2ab2:35da

Dear Jesus ... Solis,

If you recall, we were first introduced on facebook from my post:

James Driskill
December 10 at 10:41pm

Greetings Facebook group: HIV LONG TERM SURVIVORS. My friend invited me to this group, and I want to make an introduction.

Let me see exactly where I shall begin here. My real name is James Driskill.

Long before I had a Facebook and Twitter account, I actually had a multiply[.com] social blogging journal account on that site. This was where I had originality placed a story, an extreme story, an unbelievable and outrageous story of extreme disunity and major persecution involvements as a person diagnosed with HIV and AIDS progressive symptomatic in September of 1999 with T-Cell count of 156 and a viral loaf of 500,000+ Originality this was diagnosed on the Kaiser Healthcare System in Oakland CA.

But it was not until I encountered HIV Housing in HOPWA where I started to really get back burned and persecuted for just being me, smart intelligent me, with a history of doing great resourceful computer literacy educational work efforts dating back to my very first job working and setting up the computer lab in my home town of San Bernardino fresh out of High school class of 1983.
see resume: http://inthemindway.org/resume/jmd_resume.html

Anyway.. I am going to continue this post in comment updates as I fill in the story for you.

[ Post Truncated Here For Brevity Purposes ]

You Replied....

Jesus Heberto Guillen Solis Welcome to the group James Driskill, let me know if there is anything I can do for you. Enjoy the group. Admin.


====

AND IF YOU ARE THE SAME MODERATOR THAT EFFECTIVELY CENSORED MY RETURN TO MY STORY --- AGAINST ONE STANDARD I EFFECTLY HAVE ESTABLISHED CREDENTIALS FOR --- AND THEN WOULD NOT LISTEN TO WHY BASED OF DIRECT HIV/AID RELEATES ISSUES OF TOPIC MATTERS -- YOU DECIDED TO FULLY PULL MY ENTIRE POST.

Well as practice matter of I HAVE DONE NOTHING WRONG HERE.


Please explain why this VALID EMAIL from ten years ago posted upon my web memespace domains is unable to be LINKED to a facebook page relating to the CIRCUMSTANCES involving my story --- WHICH IS AN ACTUAL HIV SURVIVOR'S STORY.

btw: AS A MATTER OF PRINCIPLE...

MARLON RIGGS on the subject of CENSORSHIP MUST ALSO APPLY TO THIS SITUATION BETWEEN YOU AND I.

Google [ marlon riggs censorship ]

Writings

Riggs's writings were published during the late 1980s and early 1990s in various art and literary journals such as Black American Literature Forum, Art Journal, and High Performance as well as anthologies such as Brother to Brother: Collected Writings by Black Gay Men. The themes of his writings include filmmaking, free speech and censorship, and criticism of racism and homophobia.

http://gruwup.net/%5BWebDomains%5D/facebook.com/HIV_LONG_TERM_SURVIVORS/

THIS IS NOW A FOLDER FOR US TO HOLD UNTIL WE UNDERSTAND EACH OTHER AND COME FROM A POINT OF VIEW THAT MY STORY IS REAL #1 and that #2 --

Awards

Riggs's documentaries have received much critical acclaim. Riggs received a National Emmy Award in 1987. Tongues Untied was awarded Best Documentary at the Berlin Film Festival. The film also received recognition from the Los Angeles Film Critics Association, the New York Documentary Film Festival, the American Film and Video Festival, and the San Francisco International Lesbian and Gay Film Festival. In 1992, Riggs was awarded the Maya Daren Lifetime Achievement Award from the American Film Institute. Additionally, Color Adjustment won the prestigious George Foster Peabody Award, Erik Barnouw Award from the Organization of American Historians, the International Documentary Association Outstanding Achievement Award, and a premier screening the Sundance Film Festival. Riggs also received the Frameline Award from the San Francisco International Lesbian and Gay Film Festival for his film Non, Je Ne Regrette Rien (No Regret). Moreover, Black is. . . Black Ain't won the Golden Gate Award at the San Francisco International Film Festival and was praised by the Sundance Film Festival.[8]

AND AS A HIV AND MENTOR OF COMMUNITY AND LISTED IN BOTH OF THESE WIKIPEDIA PAGES:

https://en.wikipedia.org/wiki/Marlon_Riggs
https://en.wikipedia.org/wiki/Category:AIDS-related_deaths_in_California

AS WELL AS I SHOWED AS 3 SEPARATE AIDS QUILT PANELS ACCREDITED TO HIM...

http://www.colorado.edu/journals/standards/V5N1/marlonintro.html

EXCERPT BELOW:

INTRODUCTION TO STANDARDS: V5N1
by Marlon Riggs

It's no longer enough, if it ever was, to critique interlocking systems of oppression without offering affirming alternatives of how society should and can reconstitute itself. As we move into the inevitably more demanding multilingual, multicultural environment--both nationally and globally--of the next century, our greatest task will be an inversion of the commonly assumed equivalence between difference and disunity. We must re-write this equation, demonstrating again and again that unity does not require unanimity, that unity--that is, a sense of social cohesion, of community--can and does derive from the expression, comprehension, and active nurturing (and not merely tolerance or fetishization) of difference.

This is the new standard of civilized life that now demands our urgent labor, a new world order, if you will, that subverts traditional conceptions of social order: a standard which in effect subverts the meaning of the word "standard" itself. For the new order must be comprised of multiple standards: shifting, open-ended, dynamically transforming, so as to engender ways of thinking and living that privilege no one set of cultural differences over another but affirm virtue in all.

This perspective forms the key inspiration and overarching theme in STANDARDS. Page after page eloquently testifies to the commitment of a new generation of America's best and brightest to shaping a radically redefined vision of our future, where old repressive dualisms of race, class, sexuality, gender and nationality no longer reign--a future in which not merely some but all of us are free to explore and express our richest humanity.

Marlon Riggs
Oakland, 1992


MARLON T. RIGGS was a producer, director, and writer, who graduated with honors from Harvard in 1978, and received the MA from UC Berkeley, where he later taught Documentary Film in the Graduate School of Journalism. His films include Tongues Untied, the acclaimed account of Black gay male life; and Ethnic Notions, for which he was awarded the Emmy. Mr. Riggs' work has been published in the anthology Brother to Brother, as well as in arts and literary magazines, including High Performance, Black American Literature Forum, and Art Journal. A media activist, he testified before the U.S. Senate, and wrote extensively on the issue of censorship. Mr. Riggs was also on the policy committee of the national PBS, and served on various other panels, including the National Endowment for the Arts. Marlon T. Riggs died of AIDS-related complications in 1994. We remember him with deepest respect and admiration.

Riggs' final film, Black Is...Black Ain't, was shown across the nation, to much acclaim.
More information on the press release at this link


"Introduction to STANDARDS: V5N1" © 1992, 1995 by Marlon T. Riggs.


standards@colorado.edu


About Standards

IP Address: 2601:282:804:a790:f473:114a:2ab2:35da

ames, don't spam the group.....a posting is OK, a few ok, but not as you did....Thanks